The dolmen is shock plentitude. I heard that E died. Everything else is dash, closed, then a whiff of snow. Snow on the marsh, the pity of ducks in their land of water. E died, the alphabet had to remain. E is simple, fills appropriate spaces. Words include, when they can. A last word is vaulting. When we talk, we move to that last word. We wish to vaunt. E was great in some words, and turned some sentences around. E became Emma one day, but I do not have that key. The key can be simple, and a passing, and a when you are ready. Now, I have been to the marsh, before the snow fell. The snow is incredible, it covers anything. Billows of everything else preclude the shift from noting to E. E arrives in a sentence or word, and we let those times impend. If Emma dies, or everything, we take note. The note is E, rhymes with tree, fills the marsh during. Sentences are always complete, complete as the E in everything.
From the thing itself, beyond seasoned aptness. Life is like living but blurred by you were listening. Aspect ratio telemetry in myriad languages smooth as rocks approaches time to look. Words piece together things or things find words. Endlessness is a choice, written big in words as shiny as geese. Words simply take the time in radiation and radical point. Stein wrote the heft of nothing special, start there or whatever. You can slowly adjust the franchise, commodity's inner workings. Subglacial quips, subliminal washouts, frantic azure in the breeze of frosty Friday: these special sparking hallways slyly enjoin. Maybe you read too much into reading too much. Further on is where you’ll stay.
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