Cast clouds, in story, pull humid dozens from the fragments, tellingly. Poised in that muddled precociousness are the Worcesters of dropping down. This is dropping into place, where weather is logical and perceived, and still falling for the reasoning. The news satisfies as a thundercloud cracks. The earth itself lives in language, that is what we keep telling ourselves. A poem is a village where Hillary, Barack and John maunder. Luncheons are served, west backs us. Newspapers get wet in this Worcester of which you speak, said someone from precincts away. Is it truly faring as a taste? The answer is yes, tho blind and alleging. Wiser heads fail. The country of which we speak, a nation, knows no one, not even people. Names are positions in a rule of intent. We hold something to the light, and call it love. It is as strong as that, and bears us. Worcester is a place. so called. Trials and balloons each make advance. Then the poem, of its own volition, turns on the language it gave.
The work becomes chiding of sunlight. The work is elegy and shaded. The principle ciphers as a god, in the way transience is purpose. Transience works this brief, ending fields, making trees concern. The hell of halting midway identifies the work of burning thru. Forever makes a sign. Sign makes worthy. Indeed the tramp of feet forward concludes any sentences but suggests more. Long sentences, stupid words. The caroling heard by Dante, brilliantine remorse for a better tide. The long road up from down, and turned around. The work then becomes the work now, as stained glass similitude. Anxious in the class structure of catastrophe, the baying song over all. Nothing to do but be done. Ruskin gave you papers to remind you. Slow battering concedes the earth in time. Time being functional and oblique. The worker inside sees the nation by exhalation. Transitive connection sports of culture. The class that ends becomes the class that begins, both left and right.
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