Light is a carriage, and it carries the Long Knives into the place of exclusion. Years of trials, culling the land of interdiction, then straining. Life is filled with boundary. We called them, with fiend of word, into a forest. Forest delivers the coin, which is nation. The implicit saturation becomes distorted as monolith stands. Each fort feels strickened, because people. People then said, with a lighting of trees. Trees are peopled. Everyone stopped to haul, but it was not time. Music slowed as George Rogers Clark led a slog. The marsh was deep water to walk. Do we pretend to be there? This is the electric stream around nation.
The work becomes chiding of sunlight. The work is elegy and shaded. The principle ciphers as a god, in the way transience is purpose. Transience works this brief, ending fields, making trees concern. The hell of halting midway identifies the work of burning thru. Forever makes a sign. Sign makes worthy. Indeed the tramp of feet forward concludes any sentences but suggests more. Long sentences, stupid words. The caroling heard by Dante, brilliantine remorse for a better tide. The long road up from down, and turned around. The work then becomes the work now, as stained glass similitude. Anxious in the class structure of catastrophe, the baying song over all. Nothing to do but be done. Ruskin gave you papers to remind you. Slow battering concedes the earth in time. Time being functional and oblique. The worker inside sees the nation by exhalation. Transitive connection sports of culture. The class that ends becomes the class that begins, both left and right.
Comments