the current marsh beams with documents and change. ducks force exact sounds into the argument, which traces simple phrases into pulsating pattern. a poem becomes a constant, blending words into the landscape like leaves and water. ducks subsume, starling and blue jay rent cost effective dowager settlement, the world wakens anew. this swarm of intention brings bold statement from political casuistry to the door of memory. the clang of weed rental outweighs the spoils of dynasty. fences receive admirers. all patterns include one stray note of sharing. language resumes potable conviction since we are stern releases of antic gas. now spring starts anew, piles word upon word. a glimmer remains to relax in, then the shoals beckon ships, or snakes bask in the sun, or many trains of thought pour into the empty. these words that might be poems remain in traction, not debarred but pressed to glass. morning is dark until it finds a portal. portals bring everything, just as every parent dies. the marsh is lit by the coming morning, by the broadening noon, by the tracking back at sunset, by the proud and woven stresses and releases. night came and went, with shifts of view. a poem becomes a constant ritual in latency or graven image. pond life marvels as ever.
The work becomes chiding of sunlight. The work is elegy and shaded. The principle ciphers as a god, in the way transience is purpose. Transience works this brief, ending fields, making trees concern. The hell of halting midway identifies the work of burning thru. Forever makes a sign. Sign makes worthy. Indeed the tramp of feet forward concludes any sentences but suggests more. Long sentences, stupid words. The caroling heard by Dante, brilliantine remorse for a better tide. The long road up from down, and turned around. The work then becomes the work now, as stained glass similitude. Anxious in the class structure of catastrophe, the baying song over all. Nothing to do but be done. Ruskin gave you papers to remind you. Slow battering concedes the earth in time. Time being functional and oblique. The worker inside sees the nation by exhalation. Transitive connection sports of culture. The class that ends becomes the class that begins, both left and right.
Comments