Doctors trip over Vandals, and varlets stop at Stop & Shop to read about Jennifer Aniston, while waiting. Broccoli becomes eager, as Willow Ware, featuring doves in love, creates a past as endless as detail. Doctors run thru hoops but Vandals invade with real cheese. Cheese is a magnificent contention. Cheese is a belief system, slaying Dogon cosmologies as simply as create an extension. A poem is a toll, a moan, a managed care environment, sliced like the most eternal of cheeses. Managed care is botched, however, which creates surprises. Surprises are a kind of cheese, with the smell of milk from the ages, and the arc of a great narrative ridiculousness. What is tip Number 4? A coat of paint (paint = cheese). San Diego is architecture and design experience. Take down material, relieve the Doctors, respect the Vandals, slap a coat of paint, on. Varlets read about Jennifer Aniston, awaiting the old person with the can of tomato soup, a finishing transaction. Soup is simple, you see, but varlets are a poetic complexity. The contending M.O. is a thankless rereading of Milton's divagations. Some clients have delusions of grandeur.
The work becomes chiding of sunlight. The work is elegy and shaded. The principle ciphers as a god, in the way transience is purpose. Transience works this brief, ending fields, making trees concern. The hell of halting midway identifies the work of burning thru. Forever makes a sign. Sign makes worthy. Indeed the tramp of feet forward concludes any sentences but suggests more. Long sentences, stupid words. The caroling heard by Dante, brilliantine remorse for a better tide. The long road up from down, and turned around. The work then becomes the work now, as stained glass similitude. Anxious in the class structure of catastrophe, the baying song over all. Nothing to do but be done. Ruskin gave you papers to remind you. Slow battering concedes the earth in time. Time being functional and oblique. The worker inside sees the nation by exhalation. Transitive connection sports of culture. The class that ends becomes the class that begins, both left and right.
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