Furthermore, this Mr. John Locke, calling into question tsunami and water generally, how people can really. We have adapted to a television, at least. A syntax of possible impulse and possible impulse in reply. Identify a period of soothing, faked up with rhetorical questions. Then the long green seizing, not particular. Only this Mr. John Locke knew, with a subject such as slavery, that a chronicle stutters evenly, a rhythm for possession. Mr. John Locke could capitalize any word he wished. Such was the Age. Now we bend, just like tectonic plates. Now we go toward seashores with nervous eying. Now we read the first sentence of a paragraph, and allude to the rest. We hold demi-tasse to be self-evident, as in paraprosdokian. We steep tea in pots as a gesture toward completion. Mr. John Locke might be keen for malmsey or sack, or the refinement of tobacco as he lifts the lid of the latest book, distant skirling providing a background. Within the chambers of the book a space of average, excepting the spectacular word. Now we march ahead, like sugar into molasses.
From the thing itself, beyond seasoned aptness. Life is like living but blurred by you were listening. Aspect ratio telemetry in myriad languages smooth as rocks approaches time to look. Words piece together things or things find words. Endlessness is a choice, written big in words as shiny as geese. Words simply take the time in radiation and radical point. Stein wrote the heft of nothing special, start there or whatever. You can slowly adjust the franchise, commodity's inner workings. Subglacial quips, subliminal washouts, frantic azure in the breeze of frosty Friday: these special sparking hallways slyly enjoin. Maybe you read too much into reading too much. Further on is where you’ll stay.
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