Treat poetry as a meddlesome link to that part of the transit authority in charge of lightly tapping a door before entering. Then open the door because you hear a bass solo over rock floors and a ceiling the height of long shadows. Drum solos fade into doctor’s left hand. Waiting expectantly provides a door form of window, which can then needlessly be filled with music. We are not gaining on the sun but a simple sentence; whenever will one appear? Endless refineries darken skies that were once sulfurous but got over it. Politics, aka Shemp Howard, studiously learns Paul Ryan. The moon was glad to see the last glade on earth.
The work becomes chiding of sunlight. The work is elegy and shaded. The principle ciphers as a god, in the way transience is purpose. Transience works this brief, ending fields, making trees concern. The hell of halting midway identifies the work of burning thru. Forever makes a sign. Sign makes worthy. Indeed the tramp of feet forward concludes any sentences but suggests more. Long sentences, stupid words. The caroling heard by Dante, brilliantine remorse for a better tide. The long road up from down, and turned around. The work then becomes the work now, as stained glass similitude. Anxious in the class structure of catastrophe, the baying song over all. Nothing to do but be done. Ruskin gave you papers to remind you. Slow battering concedes the earth in time. Time being functional and oblique. The worker inside sees the nation by exhalation. Transitive connection sports of culture. The class that ends becomes the class that begins, both left and right.
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