Funeral procession is a numb stasis. When I say I sign the logic, the bills run into children. This is the inevitable clopping sound down a hall. It isn’t like a river is clean of fray. We move on, tho it depends on a mighty emergency. The state of state is being stated. You could be morose with the emptying but how can a globe hold everything? The sides are round! The people are around. Even children could be people, if it comes to that, but they must die round circles like the rest of us. We have a contest that ranks. We are not oceanic in the civil way, only tidal excess. The symphony ends with a message from the doctor who said this is a dead child. The doctor was kidding, children don’t. The subject performed an invocation for remorse. Remorse refused the attempt.
The work becomes chiding of sunlight. The work is elegy and shaded. The principle ciphers as a god, in the way transience is purpose. Transience works this brief, ending fields, making trees concern. The hell of halting midway identifies the work of burning thru. Forever makes a sign. Sign makes worthy. Indeed the tramp of feet forward concludes any sentences but suggests more. Long sentences, stupid words. The caroling heard by Dante, brilliantine remorse for a better tide. The long road up from down, and turned around. The work then becomes the work now, as stained glass similitude. Anxious in the class structure of catastrophe, the baying song over all. Nothing to do but be done. Ruskin gave you papers to remind you. Slow battering concedes the earth in time. Time being functional and oblique. The worker inside sees the nation by exhalation. Transitive connection sports of culture. The class that ends becomes the class that begins, both left and right.
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