Winds blow cold in the dawn of climbing. The hill before the morning steadies in veil while the townsfolk—they invented Plymouth Rock—their sleep is a pasture. The deeds of lurking and obsession still the rivers, rivals campaign. The hill is bare of knowledge, Cold in token. Death becomes the faction of seed while snow remains cold. No farmstead bursts into bloom tho burning homes are known. No one can see the hilltop now, only choices for a simple day. The language of this fits everyone, in testate and loss. The even stones become clear as words upon a bough. The hill is an afterthought of sunrise.
The work becomes chiding of sunlight. The work is elegy and shaded. The principle ciphers as a god, in the way transience is purpose. Transience works this brief, ending fields, making trees concern. The hell of halting midway identifies the work of burning thru. Forever makes a sign. Sign makes worthy. Indeed the tramp of feet forward concludes any sentences but suggests more. Long sentences, stupid words. The caroling heard by Dante, brilliantine remorse for a better tide. The long road up from down, and turned around. The work then becomes the work now, as stained glass similitude. Anxious in the class structure of catastrophe, the baying song over all. Nothing to do but be done. Ruskin gave you papers to remind you. Slow battering concedes the earth in time. Time being functional and oblique. The worker inside sees the nation by exhalation. Transitive connection sports of culture. The class that ends becomes the class that begins, both left and right.
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