Let us arrive at a sense of place. Harvard is not a place. Poetry is a gamboling goat or metaphor. The professorial pride of knowing poetry presents a state of acquiescence, socially involved. That is, knowing poetry is a people/social equation. Words create impact and impact creates poems. Poems are far things, of course, but we get near by saying we are near. Statues seem to stay still. Natheless, some kind of evident indication allows for social contract. This may form a less surprise feature, in the words, but as the machine encloses content, content becomes poetry. Do not request froward distinctions. The exact academy has worked out the details.Teacher emphatically the teacher. And since words empty at risk, the flowery garden remains open to requests. Here is the latest poem.
The aliens merged with diastrophism. A rush thru the funnel with Dick Cheney prompts a reply, don't you think? The mud of his glance places real time constancy in jeopardy. We really roll with the punches, tho Cheney's eyes tend to ignite squids. His armpits repine with a patient whoosh that smells like blueberries, eternal boundfulness of Dick Cheney brain. In the meantime, like river flocks, we steal a porch. The utter eye jets of the alien enterprise writes an interregnum. We knit a scarf called socialism, which appears on tv as the gravelly person on that show every night. Cheney hams it up. Secondly, dream manifests in the sunlessness of rectilinear retreat, the storm of space. Driven noises suffuse patents. Claims of Obama become structure. Ideas receive graves. Back in the future, where we crowd the bed with details, a fire starts to smell like blueberries. Blueberries include the idea of porches, and shatter indifferently against chalk lines on sidewalks. The peop...
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