When saying that you are Robert Creeley and then you are not, you make something instead of something. The Robert Creeley such as he said, you invent italics. Certain of favour, everyone likes that town. Oceans inspire oceans, and Robert Creeley lived in Acton. Worlds were always of vines and crawling. Creeping. Diction literally resembles diction. The most important works evoke a trail of only anything stuffed nothing, full for the moment. So Creeley becomes the end of Creeley's Words. We have to insist that poetry means as much as a scarf or dilettante, because why are the spaces avoiding words? The implications are heroism, the factory of effect. Stillness impedes not so fast. Think about it. Lives lived marvelously are well done and district. You went to the grave anon. You reread the passage anon. Every fiber of your being, and every other, remain resources. Precious little remains unyielded.
Walking is not walking if Gertrude chooses not to walk. The premise: Gertrude Stein is not walking. She may be on a boat, not walking, crossing the wide ocean sea. Leaving inevitable France but not walking. Dramatic but not walking. Sentenced but not walking. There were days of walking but not this day. Reading or just looking but not walking.There were sentences full of walking but not walking. Talking maybe but not walking in or out. A time lived and walking was done then if not now. It was a doing and it was a done. Not forgetting Alice who may have had walking done or even doing. The annals say Leo Stein walked along, up to and including the degree of not walking, along. Those flower names walked along, Matisse, Picasso, Laurencin, in varieties. An adding war or two closed or opened anything jump. Apollinaire in the historical. Languages of shapes and sizes bounding for just the time and a little beyond. And that was the how sentence. In that time but also forward until readi...
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