Hawk has worn emblematic clothes for like forever. The phrase "for like" has become the new muster. The word is, right now, that the word is. It should be easy to go from there. As of the Hawk, the term "for like" begets a spongy assurance that stresses screechy dogma in life-or-death situations. Well you know that hawks go fast. They serve their prey with heart thump, pictures to come. So now the crows augment the situation with notes of stress. This hilarity pathway pictures hawk as small change that some little ass bird might chase away. Oobleck! The Martians were wary when hawk dive-bombed close. An immediate sentence had to be made. Time-worn banalities had to glister. You probably want to talk about the United States of Dreaming but one hawk cry starts detergent inklings. Hawk knows its glory in the swoop and hover. Rider of updrafts in an openly opulent political system causes sleek tonal controls of the airwaves, at least when possible. Hawk's drama of a profile completes the picture if not the ecosystem. A large grasp would be great, like inviting words to mean something. Hawk has just beauty to attend to, skylarking while we dread our next step. Elegance is justified if not real. Reading this, you still cannot fly.
Walking is not walking if Gertrude chooses not to walk. The premise: Gertrude Stein is not walking. She may be on a boat, not walking, crossing the wide ocean sea. Leaving inevitable France but not walking. Dramatic but not walking. Sentenced but not walking. There were days of walking but not this day. Reading or just looking but not walking.There were sentences full of walking but not walking. Talking maybe but not walking in or out. A time lived and walking was done then if not now. It was a doing and it was a done. Not forgetting Alice who may have had walking done or even doing. The annals say Leo Stein walked along, up to and including the degree of not walking, along. Those flower names walked along, Matisse, Picasso, Laurencin, in varieties. An adding war or two closed or opened anything jump. Apollinaire in the historical. Languages of shapes and sizes bounding for just the time and a little beyond. And that was the how sentence. In that time but also forward until readi...
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